Posted: Sun Oct 15, 2006 1:09 pm
A few weeks have gone by since, and I have been silent about what happened as well as what is happening now. I said what it was but I have insisted on taking the high road and moving on with class and integrity as that has been my code of conduct all the way throughout my musical career. I played last Saturday night with a flimsy version of the Wildcats but only did 4 or 5 songs from our old set list, at a benefit at Park Grocery for a lady who has had some medical problems. The overall quality of the music was not up to my standards and I saw it as a throwdown set with a pickup group that didn't merit any mention in here other than to say that the benefit raised a few grand for Roberta, and that's what it was all about anyway. Mikey was there to play drums for me and he also had his group, Blue Agave there and I played keyboards with them on their set, which was the highlight of the night in my opinion. They added an accordionist-percussionist to their group and he is excellent. The mix was way loud and soupy but the strength of their material carried 'em over. My hat's off to that group for putting together a full set of strong tunes and playing them at their best...not long before their set began, some guy punched Mikey out (apparently the chick he commented on was that guy's old lady) and he had blood on his shirt and a swollen lip, but he played great and kept it together all the way. Mikey was moved to guitar from having played bass in Shakedown, he told me. I told him that's great, and I wished him the best in the future. At the end of the night, I helped Kim load up his stuff and followed him home and loaded it all into his house. He was going to have to go back the next day and get his big stuff but me and Ronnie said no, we'll take it over to your place tonight. Kim donated all of his stuff for that and gave the bucket full of money the band got for tips to Roberta. He's a tough hombre but deep down he's got a good heart. We resolved to hook up in the future once we get a stable rhythym section together that can play all our tunes. I got home that night and there's an email from Pee Wee Bowen to play 2 gigs this weekend down in San Leon. After Friday night's gig at the Portside Pub (it sits on the shore of Galveston Bay, I played there 2 years ago wtih Shakedown when it was called Wrecker's...it was the night Steve locked my keys in Ludwig and I was up all night getting it done)...the Phantoms from Alvin (home of Nolan Ryan) were there with their hot rods both nights...a 32 Vicky with a blown Chevy 350 in it, a chopped, channeled and lowered '50 Merc with a BBC in it, a '36 Chevy with a stock 350 under the hood, and Pee Wee's '56 Chevy Belair. By this time, I've become acclimated to the band's style and Pee Wee's unpredictable stage routine (He will surprize everybody several times a night with sudden changes and songs, so you have to know your stuff, watch him every second and be prepared to play anything that pops into his head when it comes out of him...interesting deal but not for rigidly-structured musicians who don't know how to make up stuff on the spot...it's a challenge to flow smoothly but I've caught on to the system) so Pee Wee pulled me aside and we had a pow-wow. He gave me a black band shirt with my name on it. I made the grade. He told me he knows I play all the instruments, and he has me in mind for the future as a utility player. If he needs a guitar player, he's calling me. If he needs a bass player, he's calling me. If he needs a keyboard player, he's calling me. His regular keyboard player is returning next week after having surgery on his hands to fix corpal tunnel, and apparently although he is schooled and good, what the guys in the band told me is that I bring a rock 'n roll attitude to the band...I play standing up, I do wild solos inspired by Jerry Lee Lewis and Little Richard, Fats Domino and some Animals thown in for good measure, which they love. I bop around, smile, laugh at Pee Wee's jokes, and hang out with everybody...it's an older crowd, they do songs that fit the demographic, and it's sophisticated material but like I say, everybody in that band is on their toes every second of every gig and they're ready for anything. I love it. I told Pee Wee I'm receptive to a long-term involvement but my loyalty to the Whiskey Saints (He has sponsored us to play some gigs as he and Lanis grew up together) and the Citykings (he first saw me play with them last year) will take priority, and he completely understood and agreed. Anyway, I'm on Pee Wee's A-list now and in the future and it's good. There are absolutely no issues whatsoever in that band. It's professional all the way. If there is a problem and Pee Wee checks it out and it's the slightest tincture of BS involved, that guy is fired right there. See, the idea is to deliver Pee Wee Bowen's 4-octave voice, stage presence and the whole package to his very large following, every song, every time, in full, with no hangups at all. That's the deal. If that ain't happening, then you ain't the right guy to play in that band. Sounds simple enough. Once I got a taste of this, it changed the way I see the whole scene, ya know. I feel like I'm playing in a league where I belong. The Whiskey Saints are coming along and the Citykings are also sounding great right now. Life is good. It's great to be playing with these folks. Cheers, WC1