Postby WildcatOne » Tue Jul 07, 2009 12:58 pm
I had all but forgotten about the music. Thanks for reminding me, Billy...
just for the "record", a superstar who will be on TV today has one of my songs on one of her CDs...it's the only song on the CD that is not credited to her, and I own the copyright to the original. The producers took credit for writing it. The CD showed up around 9 months after I filed the copyright with my song on it...I can't tell you the feeling I got when I was sitting on my couch watching MTV and the VJ came on and made the announcement, gave the title of the song (I chuckled to myself and said "Ha. I wrote a song with that title!") then they played the video...I sat up and said "My God...that's my song." I did extensive research and analyses of the formula that was lifted from my original. It held up. I then contacted my friend in LA who worked for Sony and Warner Bros in 2 different capacities and presented all this to him. His response was yes, it's your song. Yes, they took it. Yes, you can come at them over it. But...2 things...one, they have an army of lawyers waiting for me to show up and they'll completely dominate the proceedings. And two, if they do settle with me, I'll get money (less than half of what I'd be asking for, then my lawyer would get the other half of what I'd end up with) but I'd be blacklisted in the industry and I'd never get a break from then on. So I let it go. My music and my songs have appeared in commercials and a couple of radio hits over the years.
How it works is the record companies own the radio stations, first of all. Therefore, they control what gets played on the radio, hence, what sells and sits on the pop charts. They have scouts that go to the Library of Congress and they listen to all the new submissions that are sent in. They are allowed to do that there. They write down the "hooks" and the melodies that are catchy, and they take what they got from there to the corporate office, give their notes and tapes to the producers' team of scribes and session players, and a new version is procured and presented to the artist, who had nothing to do with the creation of the music. It's fourth-person by the time they get it, and they and/or the producer takes new songwriting and publishing credit. The paperwork goes to Legal, it gets processed and they put it in a file and wait for the guy who wrote the song to show up. It happens all the time. That's how big-time mainstream radio hitsville works, folks. But nowadays, home recording and independent, online distribution is just as good if not better and more accessible than what Wal-Mart sells.
The Citykings copyrighted each song individually, the CD as a whole, joined ASCAP individually and as a group, and formed a publishing company which owns the rights to our material on the CD we made. I still didn't feel comfortable with all that, but it was all I could do under the circumstances. So far we haven't been ripped off. I could rave on all day, but I get the point and I hope I made sense in explaining that. Thanks again, Billy. WC1
Last edited by
WildcatOne on Tue Jul 07, 2009 9:58 pm, edited 9 times in total.
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